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Celts: Art and Identity

This week I visited the British Museum in London to take a look at their exhibition ‘Celts: Art and Identity’. Having studied many of the artefacts that were on display, it was always going to be a real treat for me. I arrived in great anticipation: I was finally going to see the Gundestrup cauldron, TheContinue reading “Celts: Art and Identity”

Translation . . .

The vast majority of those with an interest in Celtic myth will only ever read source texts in translation and with no prior exposure to Celtic language or culture. This is important to keep in mind because on occasion the more subtle ideas contained in a text can be mangled beyond recognition by the translatingContinue reading “Translation . . .”

Roland Barthes’ definition of myth

If, as many scholars have pointed out, The Four Branches of the Mabinogi are derived from an earlier mythology, it’s probably best to begin with the question: what exactly is a myth? In the Concise Oxford Dictionary, the first meaning given to a myth is . . . a traditional narrative usually involving supernatural orContinue reading “Roland Barthes’ definition of myth”

Cernunnos: a Jungian symbol?

To explore Jung’s theory of the unconscious I’m going to look at a very ancient symbol, that of the horned or antlered human. This symbol has been expressed by many cultures across the world – we find it in Africa, Asia and Europe in images dating from the very earliest periods of human history. IfContinue reading “Cernunnos: a Jungian symbol?”

Jung on myth and symbol.

All myths and symbols arise initially in peoples imaginations, and if they are artists they will express them in creative terms more or less understandable to those around them. All of human imaginative life is inherently influenced by the unconscious, that aspect of the psyche that’s outside of our awareness, containing such things as instinctsContinue reading “Jung on myth and symbol.”

Iolo Morganwg and Welsh mythology.

Today, we have far more accurate editions of old Welsh poetry and prose than ever, largely due to the growth of Welsh language university departments, sometimes with whole teams of post-graduate editors and researchers devoted to editing and understanding medieval texts. Even greats such as Dafydd ap Gwilym have found themselves caught up in theContinue reading “Iolo Morganwg and Welsh mythology.”

What do myths and symbols mean?

When trying to interpret myths and their symbols we usually find ourselves doing so at some distance from the culture that gave birth to them. Surviving texts have very often been long separated from their original social contexts, orphans of a long dead culture. With such a lack of contextual information, often our only guideContinue reading “What do myths and symbols mean?”